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Had some problems with mixing and compression at the last fpl practice.

Basically I have a live set with three input channels - one for Becky (flute/sax) one for Jim’s vocals, and one for Jim’s keyboards.

Each input track sends its output to three recording tracks, so it’s possible to build up to three layers from each source. There are two additional rhythm tracks preloaded with drum loops.

Now I put compressors on the three input tracks, to try and even out the sound levels (particularly the difference in input level between Becky’s sax and flute). They also really help to produce an even sounding bass track.

However, when layering three recordings from the same source, the overall sound level is too high, so I start off with the levels of the record channels turned down slightly. That means that the live sounds come through loud and clear, but are reduced when looped back.

Furthermore, I was putting a compressor on the main output channel, to stop clipping. However, this has a nasty effect when the bass line first comes in - it tends to take up the headroom and reduce all the other channels.

You can hear this on our first attempt at the live track who’s working title is “choir”.

In this second attempt I turned off most of the compressors.

If anyone has any comments or tips for creating a more even live sound I’d be very grateful. The problem is that mixing while recording and looping live is a fairly hectic business!

Cheers,

Steve.